Saint George Freeing the Princess
Sculpture by Donatello
You can help expand this article with text translated from the corresponding article in Italian. (March 2018) Click [show] for important translation instructions.
- View a machine-translated version of the Italian article.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Consider adding a topic to this template: there are already 3,072 articles in the main category, and specifying
|topic=will aid in categorization. - Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing Italian Wikipedia article at [[:it:San Giorgio libera la principessa (Donatello)]]; see its history for attribution. - You may also add the template
{{Translated|it|San Giorgio libera la principessa (Donatello)}}to the talk page. - For more guidance, see Wikipedia:Translation.
| Saint George Freeing the Princess | |
|---|---|
 | |
| Artist | Donatello |
| Year | 1416–1417 |
| Medium | Marble |
| Dimensions | 39 cm × 120 cm (15 in × 47 in) |
| Location | Bargello Museum, Florence |
Saint George Freeing the Princess is a marble stiacciato bas-relief sculpture by Donatello, sculpted around 1416 or 1417.[1] It was originally situated under the same artist's Saint George on an external niche of the church of Orsanmichele in Florence; both works are now in the Bargello Museum, with replicas replacing them in their original positions.[2]
References
- ^ (in Italian) Pierluigi De Vecchi ed Elda Cerchiari, I tempi dell'arte, volume 2, Bompiani, Milan, 1999 (ISBN 88-451-7212-0).
- ^ (in Italian) Paola Grifoni, Francesca Nannelli, Le statue dei santi protettori delle arti fiorentine e il Museo di Orsanmichele, Quaderni del servizio educativo, Edizioni Polistampa, Florence, 2006.
- v
- t
- e
Donatello
- Madonna of the Apple (c. 1400–1425)
- Santa Croce Crucifix (c. 1406–1408)
- David (marble, 1408–1409)
- Huldschinsky Madonna (attributed; c. 1410–1430)
- Saint Mark (1411–1413)
- Saint George and Saint George Freeing the Princess (c. 1415–1417)
- Marzocco (1418–1420)
- Zuccone (1423–1425)
- Saint Louis of Toulouse (1423–1425)
- San Rossore Reliquary (1424–1427)
- Tomb of Antipope John XXIII (1424–1427)
- Tomb of Cardinal Rainaldo Brancacci (c. 1427–1428)
- The Baptism of Christ (1425)
- The Feast of Herod (1425)
- Pazzi Madonna (c. 1425–1430)
- The Ascension with Christ Giving the Keys to Saint Peter (c. 1428–1430)
- Madonna of the Cords (c. 1433–1435)
- Putti candle-holders (1434–1439)
- Saint John the Baptist (1438)
- Sagrestia Vecchia
- Madonna and Child (attributed; c. 1440)
- Madonna and Child with Four Cherubs (c. 1440)
- Amore-Attis (c. 1440–1443)
- Piot Madonna (c. 1440 or 1460)
- David (bronze, c. 1440s)
- Basilica del Santo Crucifix (1444–1447)
- Chellini Madonna (c. 1450)
- Equestrian statue of Gattamelata (1453)
- Penitent Magdalene (1453–1455)
- Lamentation over the Dead Christ (c. 1455–1460)
- Judith and Holofernes (1457–1464)
